是枝裕和1988年开始拍摄为期三年的纪录片 《另一種教育》 记录了长野县市立伊那小学三年级春组开始喂养奶牛劳拉到五年级时决定将奶牛归还的过程。 　　伊那小学是综合教育模式的先锋，通过喂养奶牛这样的项目，老师可以决定当天的课业内容。在迎接奶牛劳拉到来之前，孩子们讨论如何负担养牛的责任、计算饲料的价格、为劳拉建牛棚，举办了亲子绘画活动来画出他们心目中的小奶牛。

是枝裕和1988年开始拍摄为期三年的纪录片 《另一種教育》 记录了长野县市立伊那小学三年级春组开始喂养奶牛劳拉到五年级时决定将奶牛归还的过程。 　　伊那小学是综合教育模式的先锋，通过喂养奶牛这样的项目，老师可以决定当天的课业内容。在迎接奶牛劳拉到来之前，孩子们讨论如何负担养牛的责任、计算饲料的价格、为劳拉建牛棚，举办了亲子绘画活动来画出他们心目中的小奶牛。

At the time of the Polish social regime, a security officer is promoted to work at a prison yard. Introducing concurrently with the narrator; he speaks of himself, his thoughts, his point of view. He tells that he is not afraid of bandits or gangs; on the contrary he gets a kick out armed conflicts. To get a start in his new duty, he shops for a watchdog; and he buys an untrained attack dog as his companion. Then he speaks of the adjudications that the death sentence for fugitives is lacking influence. From his point of view, the judicatory tribunal must execute the fugitives in public. In the morning the next day he wears his uniform and start working with pride. 　　Whilst he is on his duty, a very harmonic music score begins to be played on the piano. The watchman spectates the peaceful life on the street. At that time we catch on that socialism is not a governmental regime; yet it's an uneducated behavior. 　　As a final scene the watchman witnesses of a cadet school's pupils being taught of the democracy. He leaves us with a confused smile. 　　A soft and likable thesis from the Polish director Kieslowski. You can find this short documentary as a special feature in his DVD of A Short Film About Killing. It could help you to compass his film language.

At the time of the Polish social regime, a security officer is promoted to work at a prison yard. Introducing concurrently with the narrator; he speaks of himself, his thoughts, his point of view. He tells that he is not afraid of bandits or gangs; on the contrary he gets a kick out armed conflicts. To get a start in his new duty, he shops for a watchdog; and he buys an untrained attack dog as his companion. Then he speaks of the adjudications that the death sentence for fugitives is lacking influence. From his point of view, the judicatory tribunal must execute the fugitives in public. In the morning the next day he wears his uniform and start working with pride. 　　Whilst he is on his duty, a very harmonic music score begins to be played on the piano. The watchman spectates the peaceful life on the street. At that time we catch on that socialism is not a governmental regime; yet it's an uneducated behavior. 　　As a final scene the watchman witnesses of a cadet school's pupils being taught of the democracy. He leaves us with a confused smile. 　　A soft and likable thesis from the Polish director Kieslowski. You can find this short documentary as a special feature in his DVD of A Short Film About Killing. It could help you to compass his film language.

一位年轻女性上网时偶然发现一些动画，明显是使用了她私人的自拍作为制作素材。一位同名的陌生女性承认了身份盗用的事。“然而这是为什么呢？”她想了解其中缘由。不过，死亡却比答案来得更快。

一位年轻女性上网时偶然发现一些动画，明显是使用了她私人的自拍作为制作素材。一位同名的陌生女性承认了身份盗用的事。“然而这是为什么呢？”她想了解其中缘由。不过，死亡却比答案来得更快。

在二十世纪六十年代的纽约，Walter Stackhouse是一位成功的建筑师。他娶了一位美丽的妻子——Clara，他们过着美满的生活。但是，他对一宗未破的谋杀案非常执着，这让他陷入了错综复杂的深渊——他被迫与聪明绝顶的凶手以及野心过大的侦探玩起猫捉老鼠的游戏。与此同时，他又贪恋上了另一个女人。

校园内变革的浪潮汹涌而至。在一场场占领行动和抗议集会中，音乐系学生茱莉娅加入了这场斗争，勇敢地谴责她们长期以来所忍受的骚扰与虐待。 　　然而，当她跟随人群的呼喊节奏歌唱与起舞时，一段未解的往事却始终萦绕心头：那是与马克斯——她声乐老师助教——的一次令人困惑的相遇。那一晚究竟发生了什么？那只是一次普通的约会吗？她是否同意了？还是，这其实是一场更深的伤害？ 　　在集体的激情与她内心的幽灵交织之中，茱莉娅逐渐成为这场运动的核心人物。她复杂而深刻的证词，像一股巨浪，推动着、震撼着并撼动着一个分裂的社会。

在广场上，一名城管在驱赶着摊贩。在咖啡馆里，男人和女人在谈论着关于他们的绯闻。在远处，三个女孩将自己的手机镜头对准了咖啡馆。

在广场上，一名城管在驱赶着摊贩。在咖啡馆里，男人和女人在谈论着关于他们的绯闻。在远处，三个女孩将自己的手机镜头对准了咖啡馆。